Items Similar to Our Fathers, To The Memory of the nameless Killed and Wounded.
Want more images or videos?
Request additional images or videos from the seller
1 of 9
William Lionel WyllieOur Fathers, To The Memory of the nameless Killed and Wounded.1913
1913
About the Item
Set of 4 etchings. Each 12 1/4 x 8 1/4. Poem by Captain Ronald A. Hopwood. R.N. Each etching in fine condition, on the full sheet of cream wove paper. Each signed in pencil lower left. Each sheet housed in a 20 x 16-inch archival mat
After the Battle of Jutland when the press was critical of Britannia’s apparent failure to pull off a clear victory, the Times of London published a poem by Captain Hopwood, R.N. entitled “The Old Way”. Within this was a further poem, “Our Fathers” which was written during the naval manoeuvres of 1913 and which first appeared in the Journal, The Naval & Military Record, in 1913. Wyllie, we are told, was much taken with the verses and he arranged to illustrate them with the agreement of their author. Thus was produced a set of 4 etchings tracing man’s endeavours at sea from the time of the Armada until the day of the coming of the Hyper-Super Dreadnought. Everything was illustrated in his incomparably skilful way - from galleons to seaplanes, fierce battles between ships of the line in Nelsonic times to dreadnoughts being spied upon by submarine periscope: all are used to illustrate Captain Hopwood’s verse.
William Lionel Wyllie was born in London on 5 July 1851. He studied art at Heatherley’s (1865) and at the Royal Academy Schools (1866-69), where he won the Turner Medal in his final year. He also made a study of the history of shipbuilding to help him with his paintings. He was influenced by Henry Moore (1831-1905), Whistler and Turner, of whom he later wrote a study (1905).
Wyllie worked as a marine illustrator for the Graphic between 1870 and 1890, and from 1883 produced etchings for Robert Dunthorne of the Rembrandt Gallery. In 1884, he published Tidal Thames, the first of a number of books that he both wrote and illustrated. He became Marine Painter to the Royal Yacht Squadron and the Royal Victoria Yacht Club, and did much work, including posters, for the Orient Company, the White Star Line and the Union Castle Line. Often sailing in the barge Ladybird and in yachts, he made painting trips to Holland and Northern France. In 1917 he painted an aerial view of the Battle of Bourlon Wood, for which Air Marshal Trenchard sent maps and aerial photographs. Between 1924 and 1930 he worked on a Panorama of Trafalgar for the Victory Museum, Portsmouth.
- Creator:William Lionel Wyllie (1851 - 1931, British)
- Creation Year:1913
- Dimensions:Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU33521623183
William Lionel Wyllie
William Lionel Wyllie was an artist in oil, watercolor, etching, and aquatint of marine and tidal Thames subjects. Born in London, he studied art at the Heatherleys in 1865, and at the Royal Academy Schools between 1866-69, winning the Turner Medal in 1869. Wyllie took up etching in 1883 when Robert Dunthorn commissioned an etching of Wyllie's painting 'Toil, Glitter, Grime and Wealth on a flowing Tide', which celebrated the industrial Thames, and had had great success at the Summer Exhibition at the Royal Academy, being bought by the Chantrey Bequest. He lived in Portsmouth for many years from 1907 and died in London on 6th April 1931. Acknowledged as one of the leading marine artists at the turn of the century. Marine Painter to the Royal Victoria Yacht Club, Ryde. Work in the National Maritime Museum.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1977
1stDibs seller since 2016
702 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Storrs, CT
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- The Gothic SpiritBy John Taylor ArmsLocated in Storrs, CTThe Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...Category
1920s American Modern Landscape Prints
MaterialsDrypoint, Etching
- Guardians of the Spire (Amiens Cathedral Number 2)By John Taylor ArmsLocated in Storrs, CTGuardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...Category
1920s American Modern Landscape Prints
MaterialsDrypoint, Etching
- Laguna Veneta.By Otto Henry BacherLocated in Storrs, CTLaguna Veneta. 1880. Etching. 5 x 7 1/4 (sheet 8 3/4 x 11 1/4). Venetian series, #22. A rich impression printed on chine collé mounted on white wove paper. Printing fold in the right-hand margin, well outside the image. Signed 'Otto' and dated 'August 23 80' in the plate; "Otto H. Bacher" in pencil. A similar impression is in the Hood Museum of Art, Dartmouth, New Hampshire. Housed in a 16 x 20-inch archival mat, suitable for framing. The view is looking towards the Salute. Laguna Veneta is the bathing ground where Whistler practiced diving. Otto Henry Bacher was a book illustrator and etcher. He joined a colony of American painters established by Frank Duveneck in Polling, Bavaria. In 1880 the 'Duveneck boys', a group that also included John White Alexander...Category
19th Century American Impressionist Landscape Prints
MaterialsEtching
- Automne (Autumn)By Georges RouaultLocated in Storrs, CTAutomne (Autumn). 1938. Aquatint print in colors. Chapon/Rouault 288C. 19 1/2 x 25 1/2 ( sheet 22 5/8 x 30 3/4). Edition 175, #58. Published by Vollard. A rich impression with brigh...Category
Mid-20th Century Expressionist Figurative Prints
MaterialsAquatint, Color
- From Knoedler's Window MCMXXXVBy John Taylor ArmsLocated in Storrs, CTFrom Knoedler's Window MCMXXV. 1935. Etching and Aquatint. Fletcher catalog 293 stateiv/v. Image: 5 1/16 x 4 15/16 (sheet 12/7/8 x 9 1/8). Edition 271 in this state (total edition 3...Category
1920s American Modern Landscape Prints
MaterialsAquatint, Etching
- The FairBy James Abbott McNeill WhistlerLocated in Storrs, CTThe Fair. 1895-96. Lithograph. Way 92, Levy 144, Tedeschi, Stratis and Spink 135 state ii. Image 9 1/4 x 6 1/2 (sheet 13 x 9 5/8). A fine impression printed on antique cream-laid paper. Way lists 15-lifetime impressions (Goulding printed...Category
Late 19th Century American Modern Figurative Prints
MaterialsDrypoint, Etching
You May Also Like
- After the Rain 2, Art print, Landscape, ContemporaryLocated in Deddington, GBAfter the Rain 2 by Karen Keogh [2018] limited_edition Etching on Paper Edition number 50 Image size: H:40 cm x W:30 cm Complete Size of Unframed Work: H:65 cm x W:58 cm x D:0.1cm S...Category
21st Century and Contemporary Contemporary Figurative Prints
MaterialsPaper, Etching
- La AlbaLocated in Deddington, GBLa Alba (Dawn) by Karen Keogh [2020] original Etching on Paper Image size: H:30 cm x W:40 cm Complete Size of Unframed Work: H:58 cm x W:65 cm x D:0.1cm Sold Unframed Please note th...Category
21st Century and Contemporary Contemporary Landscape Prints
MaterialsPaper, Etching
- A Day to RememberLocated in Deddington, GBA Day to Remember [2021] limited_edition Etching on Paper Edition number 75 Image size: H:20 cm x W:16 cm Complete Size of Unframed Work: H:20 cm x W:16 cm x D:0.1cm Sold Unframed P...Category
21st Century and Contemporary Contemporary Figurative Prints
MaterialsPaper, Etching
- A Glimpse of St Paul’sLocated in Deddington, GBA Glimpse of St Paul’s by Karen Keogh [2012] limited_edition Etching on Paper Edition number 75 Image size: H:40 cm x W:30 cm Complete Size of Unframed Work: H:65 cm x W:58 cm x D:0...Category
21st Century and Contemporary Contemporary Figurative Prints
MaterialsEtching, Paper
- PomerrigioLocated in Deddington, GBPomerrigio (Afternoon) by Karen Keogh [2020] original Etching on Paper Image size: H:30 cm x W:40 cm Complete Size of Unframed Work: H:58 cm x W:65 cm x D:0.1cm Sold Unframed Please...Category
21st Century and Contemporary Contemporary Landscape Prints
MaterialsPaper, Etching
- Metta MattinaLocated in Deddington, GBMetta Mattina (Mid Morning) by Karen Keogh [2020] original Etching on Paper Image size: H:30 cm x W:40 cm Complete Size of Unframed Work: H:58 cm x W:65 cm x D:0.1cm Sold Unframe...Category
21st Century and Contemporary Contemporary Figurative Prints
MaterialsPaper, Etching